The risky life of aging writers circa 1963 New York
—New York Review of Books. "The young, the active, rely upon themselves, or perhaps they are desperately thrown back upon themselves, literally. The drama of real life will not let down the prose writer. He can camp for a while in the sedgy valley of autobiography, of current happenings, of the exploration of his own sufferings and sensations, the record of people met, of national figures contemplated. There is beauty to be torn out of the event, the suicide, the murder case, the prize fight. The 'I,' undisguised, visits new regions for us and pours all his art into them. Life inspires. The confession, the revelation, are not reporting, nor even journalism. Real life is presented as if it were fiction."'
